From the Land of Band Box Records

Bonnie Buckingham Female Rock Pioneer!

November 19, 2019

Bright Moon

The Versatile Rockabilly Chick: Bonnie Guitar

Bonnie Guitar isn’t universally recognized as a die in the wool rockabilly musician  – Craig Morrison, author of “Go Cat Go!” doesn’t include a single mention of her – but the Rockabilly Hall of Fame saw fit to recognize the vocally and instrumentally talented lady, who ventured onto ground where near-to-none of her peers dare venture, the recording industry.

Cash Box – Bonnie Guitar – March, 1960

What I previously knew about “Bonnie Guitar” before coming across her listing in Rockabilly Hall of Fame could be summed up in a single world “Nothing”.

I assumed that she was a she and played the guitar.  I was right on both counts. Beyond that, I remembered “Dark Moon” but being a nerd I only knew it from Gale Storm’s rendition – the bigger hit version.

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Bonnie Guitar – Not a Girl for Nerds

Bonnie Guitar was born March 25th, 1923 in Seattle, Washington Bonnie Buckingham being her birth name.  Bonnie is cited with almost being the first country female artist to ‘cross over’ to the pop charts with a country hit – entering that chart on April 13th, 1957.  Patsy Cline beat her by almost two months with “Walking After Midnight” on February 23rd, 1957.  Bonnie bested Patsy as far as chart position goes – peaking at number 6 vs. a number 12 showing for Patsy.

As a 16-year-old, Bonnie began her performing career and took up the name “Bonnie Guitar” due to her proficiency on the instrument – Bonnie would even marry her guitar teacher – Paul Tutmarc – a marriage which dissolved in 1955.  Tutmarc is cited as having invented the first electric bass guitar – It was called the “Audiovox 736” and would be introduced to world of music in 1936.  The instrument shown below fetched $23,000 in an auction in 2018. There are three known 736 models in the world today.

Image result for Audiovox 736

Image result for paul tutmarc

Tumarc – Mr. Bass Man

During the 1950’s Bonnie provided guitar session support for some obscure record labels.  Industry personnel took notice of her talent and so she was given a shot with Fabor Records.  Fabor was a subsidiary label of Abbott Records where Bonnie had been working – The labels were owned by Fabor Robison during that time.

Her first single for Fabor “If You See My Love Dancing” b/w “Hello, Hello, Please Answer The Phone” was released in August of 1956.  Bonnie was the composer for both tracks.  Fabor would release another single with went unnoticed as the debut single had, and then came a break.  Fabor stable mate Ned Miller had composed a song titled “From a Jack to a King” which failed to register any chart action in the summer of 1957 on the Dot record label.

His song titled “Dark Moon” was offered to Bonnie (I can’t call her “Guitar”) by Fabor and he released it in late 1957.  Fabor had tried another rockabilly singer out with Dark Moon but didn’t care for the results – and moved it from Dorsey Burnette to Bonnie Guitar.

Royalty Free

Poor Bonnie was so excited about “Dark Moon” that she over enthusiastically told Robinson that she would forego any royalties if he would allow her to record it!  Fabor must have been a bit of a jerk – because that is exactly what he did!  Pop cover specialist Gale Storm (think “My Little Margie” just so darn cute!) had her version of “Dark Moon” out a week after Bonnie’s and  her version went to number 4 – her second best chart success behind “I Hear You Knocking” which went number 2 pop charts in late 1955.


Our Little Margie – Gale Storm

Gale did quite well with other peoples’ recordings charting Top Ten with “Memories Are Made Of This” (number 5) backed with “Teen Age Prayer (number 6), “Why Do Fools Fall in Love” (number 9) and “Ivory Tower” (number 6).

By the way, Ned Miller got a second shot with “From a Jack to A King”, this time releasing it on Fabor in December of 1962 and taking it to number 2 Country and number 6 Pop!  That would be his ticket a string of 10 more charting records on the country charts including “Do What You Do, Do Well” which crossed over to pop number 53.  Miller would release “Dark Moon” on Capitol Records in the fall of 1962 but it would fail to chart.

Ned Miller.png

Ned Miller – Doing What He Did Do Well

Meanwhile the success of “Dark Moon” for Bonnie Guitar would open up her career but not with Dot Records.  The label wanted more cross over success but it was slow in coming – Of the 12 singles released by Dot beyond “Dark Moon” only two managed to cross.  She did enjoy 18 charting singles on the Country charts from June of 1957 up though her final appearance  in late 1989 with many dry years in between then and her days with Dot.

The Adventures of Fabor Robison

Further solidifying Bonnie’s rockabilly credentials, in 1958 Fabor Robison was still searching for ongoing chart success.  Up to this point his biggest charting record was released on his Abbott record label in 1954 – a tune called “Teach Me Tonight” which would be Abbott’s biggest hit – going all the way to number 2.

Frustrated by lack of additional success, Robison decided to try his hand at rock and roll and so folded up both the Fabor and Abbott labels and started up “Radio” records in early 1958 where his employee, Bonnie Guitar, would release two singles to no avail.  Robison’s Radio roster drew heavily from his Abbott and Fabor stables and so it was probably destined to fail and did so in 1959 after releasing 25 records.

Rockin’ On Radio

Fabor took a deep breath – took a few years off and then fired up Fabor Records once again in 1962, sticking with it until 1966.  After that Robison would wheel and deal the masters from Fabor and Abbott to other labels in order to make a living.  It turned out that Robison had recorded tons of tracks – many, many more than were ever put out on his three record labels – and so many of these have continued to pop up here, there and every where as time marched on.

Bonnie Record Label Entrepreneur

With little chart action, Bonnie decided to return to her native Seattle in late 1958 and would undertake her second career – one which would set her pretty much apart from other women:  She would start her own record label with partner Bob Reisdorff who up until then made a living selling refrigerators.

Reisdorff – Guitar with the Fleetwoods Looking In from the Outside

The label would be called “Dolphin” initially but would quickly change to “Dolton” due to a naming conflict with another label.  Dolton would sign northwest acts such as the Frantics, Ron Holden with the Playboys and several lesser known – but would hit it big signing first the “Fleetwoods” in 1959 followed by the prolific “Ventures” in 1960.

Here are a few of the Dolton acts signed during Bonnie’s time at Dolton

The Frantics

They started off as “The Four Frantics in 1955 – Then they became the Frantics with Ron Petersen, Chuck Shoning, Joel Goodman, Bob Hosko and Jim Manolides.  They would place three singles on the Hot 100.

Little Bill and the Bluenotes

This group included “Rockin'” Robin Roberts, Buck Ormsby, and “Little Bill” Engelhart who would also perform with The Adventurers on the Jerden label.

The Playboys

Ron Holden of “Love You So” fame sang with the Playboys on Dolton – Rolan Webster Holden was born in Seattle.

Image result for ron holden

The Echoes

This was Bonnie Guitar and Don Robertson who was born in China

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Vic Dana

Interesting note for Vic – born Samuel Mendola in Buffalo, New York – He found his way to the West Coast and would take over lead vocals for The Fleetwoods for a time when their original lead singer would join the U.S. Navy.

Temporary Fleetwood

The Four Pearls

The Four Pearls or the “Fabulous Pearls” were from the Northwest city of Tacoma, Washington.  Members included William Watson, Lloyd Foster, Artis Johnson Jr. and Elsie Hall.

Jerden Records

In 1960 Bonnie teamed up with a Dolton operative, Jerry Dennon, and started up Jerden Records (Jerry’s combined first/last name abbreviated). This label was also based in Seattle.  Jerden would be a very short lived venture for Bonnie – closing shop after just a year.  Dennon would return after serving in the military in 1963 – open up the vaults and launch the label once again.

The Adventurous Jerry Dennon

Dennon would start up two more labels – Panorama in 1964 and Piccadilly in 1966, both based in Seattle.  These two labels were used to record Northwest-based musicians, testing the songs in the local market and then selling them to larger label distributors if they showed promise.  Operations for both ended in 1968.

Early Jerden Musicians

Following are the musicians who signed onto Jerden during Bonnie Guitar’s one year stint with the record label.

Darwin & The Cupids

Darwin Lamm of the Cupids were out of Vancouver, Washington.  The Cupids were Bobbi Brown and Janet Peters.  Darwin was 18 when he met Bonnie Guitar and auditioned for her.  Bonnie was confident that the trio would become here next “Fleetwoods”.

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The Adventurers

The Adventurers were the 2nd act to record for Jerden – out of Seattle, Washington  – members were Bill Hahn, Joe Johansen, Art Pease, Keith Shoemaker and Wayne Rolf

The Adventurers - 1959 - Courtesy of Art Pease

The Exotics

Members included Dick Carson, Jimmy Day, Pat Thompson and others – They came out of Kent, Washington.

The Devilles

The Devilles came from Vancouver, Washington  coming to Jerden in 1960 – Members were Eddie Gust, Dennis Lyne, Terry Bud and Wayne Gust

Bonnie Moves Along

Bonnie hung around Dolton for a few years and then decided it was time to turn her attention back to her own career.  She took a shot at recording a special romance-themed ‘concept album’, but the idea was still born and the LP scheduled to be released on Charter Records was shelved.  One single did make it out to radio stations – but no air play.  Next, was over RCA Victor records to serve as A&R head of RCA’s country artists and to cut a few singles.

No Go for Straight and Narrow – No LP

Bonnie would continue on into the 1970’s moving through Columbia, MCA, 4 Star Nashville with minor chart showings.  She never lost her zest for guitar playing or performing and continued to perform with her own backing band up to the age of 92.

Bonnie Guitar was a trail blazer in the music industry:  Vocalist, instrumentalist, composer, label owner, A/R head and an inductee into the Rockabilly Hall of Fame.  She passed away on January 12th, 2019 at the age of 95.

Bonnie Guitar Selected Discography

Bonnie Guitar 45 RPM Discography

45 – Fabor 4013 – Hello, Hello, Please Answer The Phone b/w If You See My Love Dancing – Released August, 1956

45 – Fabor 4017 – Clinging Vine (with Lee Gotch) b/w Dream Dreamers – Released September, 1956

45 – Fabor 4018 – Dark Moon b/w Big Mike – Released February, 1957

45 – Dot 15550 – Dark Moon – Charted Number 6 Pop – Number 14 Country b/w Big Mike – Released February, 1957

45 – Dot 15587 – If You See My Love Dancing b/w Half Your Heart – Released May, 1987

45 – Dot 15612 – Mister Fire Eyes – Charted Number 71 Pop – Number 15 Country – b/w There’s A New Moon Over My Shoulder – Released July, 1957

45 – Dot 15678 – I Saw Your Face In the Moon b/w Making Believe – Released November, 1957

45 – Radio 101 – Please, My Love b/w Love Is Over – Released March, 1958

(Bonnie Guitar on Fabor Robison’s ‘rock and roll’ label)

45 – Radio 110 – Shanty Boat b/w Only The Moon Man Knows – Released July, 1958

45 – Dolton 10 – Candy Apple Red b/w Come To Me I Love You (Akaka Falls) – Released November, 1959

(Bonnie only released one single on Dolton during her time there as co-owner)

45 – RCA Victor 47-7951 – I’ll Step Down b/w Who Is She? – Released July, 1962

(This would be one of two singles Bonnie recorded for RCA Victor during her time as A/R for Country Music at the label)

45 – Jerden 707 – The Fool b/w There’ll Be No Teardrops Tonight – Released January, 1963

(This recording by Bonnie Guitar was obviously resting in the Jerden vaults after Bonnie departed the label)

45 – Fabor 138 – Ra-Ta-Ta-Ta (And I Don’t Love You Anymore) b/w Leave the Weeping to the Willow Trees – Released December, 1964

45 – Dot 16811 – I’m Living In Two Worlds – Charted Number 99 Pop – Number 9 Country – b/w Goodtime Charlie – Released December, 1965

45 – Dot 16872 – Get Your Lie The Way You Want It – Charted Number 14 Country b/w Would You Believe – Released April, 1966

45 – Dot 16919 – The Tallest Tree  – Charted Number 24 Country b/w Would You Believe – Released August, 1966

45 – Dot 16987 – The Kickin’ Tree – Charted Number 64 Country b/w Only I – Released January, 1967

45 – Dot 17007 – You Can Steal Me – Charted Number 33 Country b/w Ramblin’ Man – Released April, 1967

45 – Dot 17029 – A Woman In Love – Charted Number 4 Country b/w I Want My Baby – Released July, 1967

45 – Dot 17067 – Stop The Sun – Charted Number 13 Country b/w Wings of a Dove – Released November, 1967

45 – Dot 17097 – I Believe In Love – Charted Number 10 Country b/w Faded Love – Released November, 1967

45 – Dot 17150 – Leaves Are The Tears of Autumn – Charted Number 41 Country b/w Almost Like Being In Love With You – Released August, 1968

45 – Paramount 0004 – A Truer Love You’ll Never Find (Than Mine) – Charted Number 55 Country b/w That’s When (Our Love Will Be Over) – Released May, 1969

45 – Dot 17276 – That See Me Later Look – Charted Number 36 Country b/w I’ll Pick Up My Heart (And Go Home) – Released July, 1969

45 – Paramount 0045 – Allegheny – Charted Number 70 Country b/w Red Checkered Blazer – Released October, 1970

45 – Columbia 45643 – Happy Everything – Charted Number 54 Country b/w Just As Soon As I Get Over Loving You – Released June, 1972

45 – MCA 40306 – From This Moment On – Charted Number 95 Country b/w Shine (And We’ve Got To Have It) – Released September, 1974

45 – 4-Star 1041 – Honey On The Moon – Charted Number 92 Country b/w Lonely Eyes – Released March, 1980

45 – Playback 75714 – Still the Same – Charted Number 79 Country b/w If You Were Here – Released November, 1989

Bonnie Guitar Long Play Selected Discography

Bonnie never placed a long play onto the Pop Charts but had recorded many – Following is a sampling of her vast output:

LP – Dot 3069 – Moonlight and Shadows – Released 1957

LP – Dot 3151 – Whispering Hope – Released 1958

LP – Dot 3335 – Dark Moon – Released 1961

Dot 25685 – I Believe In Love – Released 1968

Dot 25947 – Affair – Released 1969

LP – Paramount – Allegheny – Released 1970

Budget LP – Pickwick 3144 – Green, Green Grass of Home – Released ?


  1. What a great hour flashing back to the music and productions of Bonnie Guitar. I played her Dot hits when I was Music Director and DJ at WHIM in Providence, RI, in 1966 and 1967. However, as a longtime music fan in many genres, I was aware of her early on, although not to the depth of knowledge I have now. Your article is a wonderful and far-reaching piece of research into someone whose influence far exceeded her personal fame, even with her many hits. Thank you!

    An interesting note: she developed The Fleetwoods into the hitmakers they were only to see them leave her for Liberty Records. As a response to their departure, she either found or created (I forget which) Darwin and the Cupids – same sound and configuration but, sadly, not the same success.

    I just recently re-discovered The Echoes’ fun uptempo version of Born to Be With You, which her singing partner Don Robertson wrote and was a hit for The Chordettes. His biggest song, though, was probably the instrumental The Happy Whistler, which is displayed over his shoulder in the photo of him. As a leading country songwriter whose music also crossed over to pop, he would make a fascinating subject for an article, too.

    One more footnote: Fabor Robison also released Jim Reeves’ first hit, Bimbo, very different from his later countrypolitan lushness, as well as early tracks by The Browns. I never realized until your article the extent of Ms. Buckingham/Tutmarc/Guitar’s involvement with him. Robison was a great discoverer of talent but by most accounts not the most scrupulous business person!

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